FICXixon 2025, was the 63rd edition of the film festival that puts Xixón on the map, and some of the world in Xixón, for a few days. This edition took place from November 14 to November 22. It started with the same disgusting weather of the previous week, more than 20 degrees in November in the Northern coast of Iberia because of the fucking south winds. Hopefully as days went by we moved into rainy November weather, though with temperatures above the average. All in all I attended 6 screenings, the same number as in the previous edition. All in all it was OK, though no film did particularly impress me.
- Anémona, Saturday 15, Teatro Jovellanos. British film, a dark character with a painful past related to the Northern Ireland conflict (contrary to most films related to that conflict, he was on the British oppressors side rather than on the Irish side). Powerful acting and even some fantasy element.
- Balearic, Sunday 16, CMI Xixón Sur. Interesting Spanish film. There are 2 scenarios, one shows a real life horror situation, the other one is almost hilarious, showing the declining world of some upper class adults.
- Las corrientes, Tuesday 18, OCine. Argentinian film directed by Milagros Mumenthaler, the wife of the sadly gone Fran Gayo (more on this at the end of the post). I think I expected this was going to be the kind of film you'll only find in an indy film festival... but I attended because I was interested in the director.
- Reedland, Wednesday 19, Teatro Jovellanos. Dark, slow Dutch film, about suspicion and guilt in a rural area. In a way it works also as a documentary about rural life and tradicional hard work. I liked it, but without finding a place in my "to see again" list.
- L'interet d'Adam, Friday 21, Teatro Jovellanos. Good social Belgian (in French language) film. Tense and intense hospital drama about a child at risk because of his troublesome mother, and how complex this situation becomes for the doctors involved. It reminded me of Sages-femmes / Matronas a pretty good film I watched on FICXixon 2023.
- Gorgoná (preceded by a short: 'Los murciélagos han abandonado el campanario'), Saturday 22, OCine. Greek dystopic film. Two powerful (and hot, very hot) women fight to survive in an apocalyptic society dominated by tough, muscular men with an underdeveloped brain. I guess it's some feministic stuff, but honestly, what I get from the film is that (I have to stress it again) these 2 main female characters were 2 real sex-bombs.
Additionally, there are 2 films that I missed and that looked really interesting to me:
- Made in EU. I had thought that maybe I would have to do some overtime at work, and when finally it was not the case I check for a ticket, it was sold out.
- Valle Blanco, Gallo Negro An Asturian film by director Alex Galán. Set in Degaña, one of the most remote corners of Asturies, and one of the most rainy areas also. Drama/comedy mix (very Asturian then) where people try to create some business opportunity in one of the ares more devastated by the sudden end of coal mining.
Films aside, I have to say that this was a sad an emotional edition. It was the first edition after the decease of Fran Gayo. He was one of the master minds of FICXixon in 2 different periods, with an interruption during which he worked in the Buenos Aires Film Festival. One of the main representatives of the Asturian cultural scene for decades (other than a cinephile he was also a musician and a writer) and a supporter of the Asturian language. I think I never talked to him, but we had some common friends (Xixón has just 250.000 inhabitants). Indeed, because of that I though he was a bit younger (he was 55). This edition of the Festival was dedicated to him. It seems in the previous edition, when he was already rather weakened by cancer, he attended the festival (he had left his position and was living in Buenos Aires with his wife and child) mainly to say goodbye to his many friends. RIP.
Just a couple of weeks after the end of the festival another slap of reality hit everyone any with the Festival, Jose Luis Cienfuegos the guy that was the director of the Festival from 1995 to 2012 and that transformed it into an internationally recognized event, suddenly died. Not living in Asturies since years ago he had not been able to attend to the gathering in a local cultural cafe where close friends came together to render tribute to Fran Gayo, and just 2 weeks later he was dead.